Let them walk in your shoes
At a recent speaking engagement a woman told me that she liked the way my brother and I wrote because it made her feel like she was right there with us. "You make use of all the senses," she said. "When you write about the food you ate when you were young, I can almost taste it myself."
That's what readers want--to be drawn into your story--to walk in your shoes. This is from a chapter in our book A SPECK IN GOD'S EYE.
Daddy was an avid sportsman. It was common for our table to be graced with wild duck, turtle soup, or fish chowder. My brothers went duck hunting also, and when a platter of those golden brown delicacies arrayed our table, they would pick out the teal, or the mallard or whatever it might have been that they had shot, and relay the exciting event as they remembered it.
Wild duck was referred to as a succulent delicacy, but it was not something you delicately picked at with your fork. The way to eat duck is to grasp it in your hands and break off a piece and bring it to your mouth and savor the flavor.
"And to think," Daddy said, "there's some poor bastard out there wondering where his next meal is coming from, and here we are eating like kings."
Wild duck was not a favorite of mine, and on those particular nights, when everyone else feasted on duck, I had cornflakes for supper, and I wondered if the kings had cornflakes too.
New writers have a tendency to give the facts without realizing the power behind relaying their feelings at the time of the incident. Keep in mind that the reader wants to feel what you feel and to accomplish this you must describe the details of an experience--what preceded it, your thoughts at the time, why it happened, what you did about it--the little things that make it come to life.
While writing our book my brother and I edited each others stories. In one story he wrote that he and his family had planned on spending the Christmas holidays in the Alps before heading to his next teaching assignment in Naples, Italy, but as luck would have it, the car broke down. It was December 22. They stopped at a garage in Augsburg and were assured the car could be made road-ready by the next day. His hopes were high when he picked up the car, but soon disappeared when he attempted to make a left hand turn and the car didn't respond. Back to the garage he went.
Rather than say the car didn't respond we decided on this:
Grasping the wheel tightly between his white-knuckled hands, he pulled down hard on the unrelenting wheel. The car moved laboriously to the left using the entire intersection to make the turn. "Sweet Jesus," he muttered to himself. "What else could go wrong?"
That's what's so great about writing non-fiction. You don't have to make something up. You were there. You experienced it. Rely on your senses to help you to describe it to your readers.
Labels: The senses
